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‘I am a medieval otaku, in any case’: Legendary Ultimate Fantasy composer Nobuo Uematsu says FF9’s soundtrack is a few of his finest work—even when it is extra standard abroad

January 5, 2026
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To have fun final 12 months’s twenty fifth anniversary of Ultimate Fantasy 9, Famitsu (through Automaton) spoke with its creators in regards to the lasting influence of FF9’s return to extra conventional fantasy. Trying again on its manufacturing, legendary Ultimate Fantasy composer Nobuo Uematsu mentioned FF9 options a few of his favourite compositions—even when he is satisfied it is extra standard outdoors of Japan.

“Once I go overseas, I get the impression that there are loads of FF9 followers,” Uematsu mentioned. “I really feel like individuals abroad point out FF9 extra typically than individuals in Japan.”

Requested whether or not he believes FF9’s medieval fantasy setting—following FF7 and FF8 skewing towards a extra fashionable, belt-heavy aesthetic—is liable for its higher reputation overseas, Uematsu solely mentioned “I’m wondering.” However its center ages theming did assist him produce a number of the finest videogame music he is composed.


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“Personally, I believe there are loads of songs from FF9 that I like,” Uematsu mentioned.

Which may not sound like sturdy reward for his personal work, however Uematsu mentioned listening to his personal work because it performs in-game typically makes him depressing.

“I can hearken to one thing that another person has organized for an orchestra, however in terms of the music that performs within the recreation, I am not glad. From the second I make it, I do not need to hearken to it anymore,” Uematsu mentioned. “It is too embarrassing and I can not bear to hearken to it. I hearken to it a lot throughout debugging.”

On condition that he is his personal harshest critic, it says lots that Uematsu thinks FF9’s “melody and chord motion are good.” He additionally expressed a specific fondness for its closing boss music, which options the outcomes of some unconventional music route.

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“I wished the voice of the useless initially, so I requested the synthesizer operator, Keiji Kawamori, to ‘go to hell and file it,'” Uematsu mentioned. “He mentioned, ‘Okay,’ and the subsequent day he got here up with one thing wonderful.”

Whereas he mentioned it had been “enjoyable to shift gears” for Ultimate Fantasy’s sci-fi departures—unsurprising, given his recently-shared frustration over recreation music getting “much less bizarre”—FF9 provided a welcome return to type.

“I used to be comfortable to return to one thing medieval with FF9,” Uematsu mentioned. “I’m a medieval otaku in any case.”


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It is a part all of us undergo, although Uematsu’s appears to be fairly long-lasting. In an interview with a Japanese journal simply earlier than FF9’s launch in July 2000 (translated right here by Shmuplations), he recalled touring to Eire throughout the manufacturing of FF7 and seeing an inspiring recording of the musical Riverdance.

“I watched the video of Riverdance over and over, and each time I watched it, I cried, it was so fantastic,” he mentioned. “The opening theme of FF9 is nearer to Early Music (Medieval and Renaissance music) than Irish people music, although. Early Music is a sort of bridge between Irish music and classical music. At first, I used to be pondering of utilizing Early Music for everything of FF9, however that may most likely be going too far.”

Ultimate Fantasy IX PS1 Opening & Intro (USA) – YouTube

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Uematsu composed each the opening theme and fanfare within the Early Music model, and the acquainted floor of traditional fantasy additionally made it simpler for him to compose early in improvement, even earlier than a lot of the sport had been constructed.

“FF7 and FF8 had a really totally different ambiance from the earlier FF video games, so I drew extra inspiration from the story and visuals there,” he mentioned. “However for FF9, I used to be much less certain by that and the music got here extra naturally. To be sincere it was extra enjoyable for me this time.”

In Famitsu’s twenty fifth anniversary interview, Uematsu mentioned that the event of Ultimate Fantasy 9 had provided him a possibility that may probably fill his fellow medieval otakus with envy: He and his spouse traveled abroad for inspiration. Sadly he did not have a Riverdance-caliber revelation on that journey.

“I assumed it will be a good suggestion to get a really feel for the ambiance of Europe, so my spouse and I went on a tour of outdated castles,” Uematsu mentioned. “However we had been surrounded by faculty college students and we had been the one aged individuals there. It was fairly powerful.”



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Tags: composerfantasyFF9sFinalLegendaryMedievalNobuootakuOverseaspopularsoundtrackUematsuworkeven
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